Hamilton Shmamilton — when your own project is Dead in the Water

I may be the only New Yorker who has not seen Hamilton.

Correction: I may be the only New Yorker who has no intention of ever seeing Hamilton. It’s not that I think it’s an unworthy effort – I’m sure the world was waiting breathlessly for a hip hop musical about one of my favorite founding fathers. And with the help of a little Krazy Glue, I could probably sit through two hours of rapping colonials.

The reason I probably won’t see it is that a few years ago I wrote Treason, a musical about Benedict Arnold. Since Arnold himself was a notorious traitor, he was an unlikely protagonist. So, in the style of Evita, I have the young Alexander Hamilton serving as a Che Guevara type narrator who takes the audience on the journey, commenting on the action and appearing in key scenes – as he did in real life, being the aide-de-camp to General Washington at the time.

However, being a white woman who writes somewhat traditional musicals, I realize the show that absorbed two years of my life is now dead in the water. I would never be able to convince anyone that I was writing Treason long before Hamilton break danced onto the scene – I have no doubt the word “derivative” would surface with any producer I was foolish enough to approach.

More power to the creators of Hamilton for their fresh new take on an important time in American history – I too believe immigrants “get the job done,” yada-yada-yada. Most of us are immigrants, and one job we got done very efficiently was the slaughter of this land’s only rightful occupants, the Native Americans.

I’m sure Hamilton is an important teaching tool for people who knew little of that time period or the truly fascinating title character. But having done countless hours of research, I’m not in that target audience, so I’ll save my $400, or whatever the outrageous price of a Broadway musical is these days, to see Book of Mormon, thanks very much. Mormons are still a mystery to me.

So what’s a girl to do? Just what you do after a bad breakup – move on, get over it, write a new show. I’m thinking about a rap version of the Trump Administration. I really think Sarah Huckabee Sanders deserves a hip hop dance number, with the Washington press corps as the chorus. I’ll keep you posted on how it’s going.

 

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